With the lockdown still keeping me at home I thought I’d make a video about the different kinds of filters for landscape photography, giving an overview of what they are useful for as well as some tips on how to use them.
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Since I first started landscape photography I’ve always enjoyed making long exposure images of water. I love the surreal feel it gives the landscape, and in this video I discuss the gear and technique required to shoot them at one of my favourite locations in Carrasquiera, Portugal
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On our trip around the Azores we'd planned three nights in Faial, mostly because I was fascinated with the view it had of neighboring Pico and its mountain, but we soon realized that it was a beautiful island in its own right.
On our first day there we drove over to Almoxarife, a small village on the coast on the other side of a headland from the capital Horta. It's a reall pretty little town and we spent a large part of the afternoon diving into the sea from the concrete piers with the the locals. The beaches here are all pretty steep and rocky, and there's something incredibly enjoyable about leaping into the ocean like that. The water in the Azores is much warmer than in mainland Portugal and in such a hot and humid place it was great to jump in.
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We were sad to leave Pemuteran. It had been a relaxing four days, but it was time to move on to our next location, Munduk, high in the central mountains of Bali. It's a tiny village surrounded by clove and coffee plantations with rice terraces cut into the side of the hills. The journey from Pemuteran took a little less than an hour and a half, and after we left the town of Seririt we seemed to be constantly rising in twisting roads. The landscape is so green and there is so much water. It's incredibly fertile land and so much grows here.
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